A Year of Social Distancing
One year ago I was preparing to travel to Austin, Texas for the 2020 SXSW conference. I wasn’t quite packed, but I was confirming itineraries and hotel reservations when the conference was cancelled (the first of many). And since then, pretty much everything changed.
Conferences: We’ve now had about 9 months of virtual conferences, and I have to say it’s been pretty good. We’ve learned that much of the content (talks, slides, posters, etc.) translates well to an online format. Of course, the social component (catching up with friends / colleagues and meeting new ones) requires greater intentional effort, but it’s all possible. I think many, if not most, conferences (particularly in academic specialties) will continue as virtual or hybrid virtual/in-person events. The benefits of broader and more equitable participation and lower overall costs (travel and hosting) outweigh the downsides.
Performances: What can you do without a live audience? Streaming (both TV/film and live performance) is bigger than ever, and many arts organizations quickly developed video production expertise. But I’d argue the breakthrough medium of social distancing is the collaborative performance video. The explosion of such content, from elementary school choirs to professional works, is testament to our human desire to create together, no matter the constraints.